Surfer Blood return with their first release since 2010’s sensational debut LP, Astro Coast, an album that made them a huge hit in the indie circuits for the past two years. One of our favorite songs so far this autumn is “Don’t Move” from Phantogram; it’s simply a fantastic track that you just can’t but help to move to – even though the song title says not to move. When we featured the song in one of the recent Fresh Tracks mixes, people downloaded and streamed it like crazy. It only makes sense to kick-off this edition of Best New Releases with the hot, new single from Phantogram. (We recommend listening first to last week’s BNR mixtape, which we were late in delivering.)
Following Phantogram is a double-shot from Woodsman‘s new album, featuring two songs that are masterfully arranged and executed. “In Circles,” and especially, “Specdrum,” highlight the band’s raw talent for combining elements of rock, pop, post-punk, electronic, and particularly, in the case of the two tracks below, their capabilities in creating pure jam psychedelic tunes, with impressive results.
Don’t Move – Phantogram from Nightlife
– Surfer Blood from Tarot Classics EP
In Circles – Woodsman from Mystic Places EP
Double-shot: “Specdrum” – Woodsman from Mystic Places EP
– Wet Illustrated from 1x1x1
Deer Tick returns with a bit more rock in their sound as is apparent with the lead track “Main Street,” that reminds us a lot of the sound of Paul Westernberg and The Replacements, whether on purpose or just as some subliminal influence. This is a nice new maturation for Deer Tick.
– Deer Tick from Divine Providence
It seemed only fitting to follow-up Deer Tick with the new single from Bear Lake (another animal-named band) who just self-released their new album, If You Were Me. Italy’s 2010 breakout band A Classic Education return with their sophomore album and the lead track “Forever Boy,” is a sentimental, slow rock track marked by heavily melodic vocals and choruses, Wavves-style guitar licks and percussion, and an obviously better overall produced sound throughout the album then their 2010 U.S. debut.
– Bear Lake from If You Were Me (self-released)
Double-shot:– Bear Lake from If You Were Me (self-released)
Just like other great surprises this week, another new-to-us band, The Beets, add more credibility to the garage rock pop sound of bands like The Vaselines with their new track, “Doing As I Do” from The Beets’ new album, Let The Poison Out, on Hardly Art Records. Even better, we were lucky to find another track from the album, “Friends of Friends,” thanks to Pitchfork.
– The Beets from Let the Poison Out
Double-shot: “Friends of Friends” – The Beets from Let the Poison Out
Incorporating electronic beat pop styling with underlying cinematic, even psychedelic, rock infusions, woven with synth sound effects, violin and guitar riffs, and an assortment of wood blocks and cowbells, the eclectic musicians of the Brandt Brauer Frick Ensemble really shine on the track, “Pretend,” where they are clearly not pretending at all – the track is as real as it gets, and an incredibly complex arrangement at that.
Next, another new-to-us band, The Through & Through Gospel Review, offer one of the most memorable tracks of the week – the enchanting, almost carnival-like influenced song, “I Firmly Believe” from their self-titled, debut album. As with other bands in this week’s Best New Releases, this is yet another pleasant surprise, and surely a band that we will keep our ears out for. In fact, we received a complimentary copy of the debut LP, and look forward to listening to it more in-depth later on; it’s just another album added with the dozens and dozens of others in our “To Listen To” playlist in iTunes.
– Brandt Brauer Frick Ensemble from Mr. Machine
– The Through & Through Gospel Review from The Through & Through Gospel Review
– Comet Gain from Howl of the Lonely Crowd
Although we generally do not post about remastered albums, the fact that Dntel‘s remastered (with bonus tracks) LP, Life Is Full of Possibilities, is out this week, and features Ben Gibbard (Death Cab For Cutie, Postal Service) on vocals for the lead track below, definitely makes it a LP to consider repurchasing, and if you’ve never owned it before, that track, and many others, is reason alone to grab a copy.
“(This Is) The Dream of Evan and Chan” – Dntel from Life Is Full of Possibilities (remastered with bonus tracks)
The problem is, the sound quality of the track itself. It’s ironic that it is a remastered track but is filled with what sounds like static, and we can only hope it is not intentional, because that would make no sense. We’ve been unable to find any information about why this terrific ‘remastered’ track has static on it. We also tried to hunt down the originally released track, but without any luck. If anyone knows why the track has static on it – especially towards the end – we’d love to hear from you.
Next up is another band name that does not fit at all with the band’s sound and style. Another new-to-us band, Gospel Music, present this semi-quirky track, “” that has a clear percussive influence from The Violent Femme’s “Blister In The Sun,” whether on purpose or not.
Perhaps the only blues track in this mix, JC Brooks & the Uptown Sound, deliver the upbeat, and oddly optimistic, “Everything Will Be Fine,” with plenty of gusto and some steller musicianship – especially amongst the guitarist, bass player and drummer. The vocals are clearly influenced by B.B. King’s singing style.
“Black Clouds” – The Gang Violets from Black Clouds
– Gospel Music from How To Get To Heaven From Jacksonville, FL
“Everything Will Be Fine” – JC Brooks & the Uptown Sound from Want More
Other Tracks Worth A Spin
We add this section to some of the Best New Releases mixtape playlists as a way to indicate that we are not necessarily endorsing the following tracks, but at the same time, we’re also trying to indicate that they are worthy of inclusion. For example the band The Migrant mix New Orleans jazz influences with folk, pop and rock to the appropriately thematic track, “The Hurricane.” Plus, check out other tracks, including Peggy Sue‘s “Cut My Teeth”; and Russian Circles‘ “Mladek”.
– The Migrant from Amerika (self-released)
– Russian Circles from Empros
– The Strange Boys from Live Music